Thought I'd share a little bit of artwork to brighten up the place.
The following images were generated using dezgo.com - which is quite fun to play around with. The theme is Dante Gabriel Rossetti painting women wearing gold sunglasses.
Thought I'd share a little bit of artwork to brighten up the place.
The following images were generated using dezgo.com - which is quite fun to play around with. The theme is Dante Gabriel Rossetti painting women wearing gold sunglasses.
The famous painter Pablo Picasso (1881 – 1973) must have been a great admirer of red hair, since he had at least three relationships with red-haired women!
Picasso in 1962 |
She met Picasso at the Bateau-Lavoir, in 1904, and by the next year they were living together. Their relationship lasted seven years and was characterized by its tempestuousness. Both Olivier and Picasso were jealous lovers, and their passions sometimes exploded into violence.
Olivier was Picasso's first muse. Later, among his most notable works of his Cubist period from 1907 to 1909, several were inspired by Olivier. These include Head of a Woman (Fernande). He later admitted that one of the Demoiselles d'Avignon was modeled after her.
Twenty years after her relationship with Picasso, she wrote memoirs of their life together. By that time, Picasso was the most famous artist of the age and the publication of Olivier's memoirs carried commercial potential. The memoir, entitled Picasso et ses amis (Picasso and his Friends), was published in 1930 in serialized form in the Belgian daily Le Soir, despite Picasso's strong opposition. He hired lawyers to prevent the publication of the series (only six articles were published). In 1956, when Olivier had become deaf and was suffering from arthritis, she persuaded Picasso to pay her a small pension in exchange for her promise not to publish anything further about their relationship as long as either of them was alive. The remainder of her story eventually appeared in 1988 in Loving Picasso.
The second one was Olga Stepanovna Khokhlova (1891 – 1955). Se was born in Nizhyn (present-day Ukraine) and studied in Saint Petersburg at a private ballet school. Later, she successfully auditioned to join the Ballets Russes of impresario Sergei Diaghilev, based in Paris. In 1917, Pablo Picasso became involved in Parade, a ballet produced by Sergei Diaghilev. After seeing Khokhlova dance in rehearsals he fell in love with her.
They married on 12 July 1918, at the Russian Orthodox Cathedral at the Rue Daru in Paris.
On 4 February 1921, Khokhlova gave birth to a boy, Paul Joseph Picasso, usually known as 'Paulo'. From then on, Khokhlova and Picasso's relationship deteriorated. By the end of the summer of 1923, Picasso's passion for Khokhlova had cooled, as he took possession of the floor above his apartment and began to frequent the brothels in Paris.
In 1927, he began an affair with a 17-year-old French girl, Marie-Thérèse Walter. In 1935, Khokhlova learned of the affair from a friend, who also informed her that Walter was pregnant. She was devastated, filed for divorce, and immediately moved to the Hôtel California with Paulo. Picasso refused to divide his property evenly with her, as required by French law, so Khokhlova stayed legally married to him until her death.
The last one was Françoise Gilot (1921 – 2023). She was born in Neuilly-sur-Seine, France, and met Picasso in a restaurant in the spring of 1943, during the German occupation of France. Dora Maar, the photographer who was his muse and lover at the time, was devastated to learn that Picasso was replacing her with the much younger artist.
Picasso and Gilot never married, but they did have two children together because he promised to love and care for them. Their son, Claude, was born in 1947, and their daughter, Paloma, was born in 1949. During their 10 years together, Gilot was often harassed on the streets of Paris by Picasso's legal wife Olga Khokhlova.
In 1964, 11 years after their separation, Gilot wrote Life with Picasso, a book that sold over one million copies in dozens of languages, despite an unsuccessful legal challenge from Picasso attempting to stop its publication. From then on, Picasso refused to see Claude or Paloma ever again. All the profits from the book were used to help Claude and Paloma mount a case to become Picasso's legal heirs.
Interestinlgy, Picasso's father, José Ruiz y Blasco, was a redhead too.
As we have seen in this post, the German mystic Anne Catherine Emmerich “saw”, in her visions, several Biblical people with red hair, namely Adam, Eve and their children, Job, Moses, the Virgin Mary and John the Baptist.
I found out that another German mystic saw Biblical people with red hair: Therese Neumann.
She was born in the village of Konnersreuth, Bavaria, in 1898. In 1918, she was partially paralyzed after falling off a stool and one year later she claimed to have been blinded completely. Therese reported that her eyesight was restored on 29 April 1923—the day Therese of Lisieux was beatified in Rome.
Therese would later apparently develop the stigmata, starting on 5 March 1926, the first Friday of Lent. On Good Friday, Neumann witnessed the entire Passion of Christ in her visions. She displayed wounds on her hands and feet accompanied by blood coming from her eyes. On Easter Sunday, she claimed a vision of the resurrection of Christ. For several consecutive Fridays after that, she stated she was experiencing the Passion of Christ, apparently suffering in her own body along with all his historic agonies. She claimed to have especially suffered the Passion on Good Friday each year.
From 1923 until her death in 1962, Therese Neumann professed to have consumed no food other than the Holy Eucharist nor to have drunk any water from 1926 until her death.
It was claimed that during some of her Friday trances, she would utter phrases identified by witnesses as ancient Aramaic. She was also said to have been able to understand Hebrew, Greek, and Latin.
During the Third Reich, Therese Neumann was the target of ridicule and defamation, as the Nazis knew about her dissenting views and feared her growing popularity. She was observed by the Gestapo. She was never physically harmed, though her family home, parish church and priest's house all received direct attacks.
Paramahansa Yogananda visited her and wrote about her case in his book Autobiography of a Yogi, published in 1946. He wrote an entire chapter, "Therese Neumann, The Catholic Stigmatist of Bavaria", which reverently gives a vivid first-hand description of one of her Friday Passion trances.
The Roman Catholic Church has neither confirmed nor denied the inedia (from which she suffered according to her critics), nor her stigmata. However, in 1928 the Italian physician and psychologist Father Agostino Gemelli went to Konnersreuth, as a doctor and commissioner of Pope Pius XI, to meet the mystic. After having visited her, he declared: "Having visited Teresa Neumann with the greatest attention, I declare that there is absolutely no trace of hysteria and, naturally, that her condition is not scientifically explainable."
In 2005, Gerhard Ludwig Müller, Bishop of Regensburg, formally opened the Vatican proceedings for her beatification and she is now considered a Servant of God.
In this Italian pdf, on page 8, we have the account of the Last Supper and Passion as seen by Therese. She says that, after the blessing of bread and wine, Jesus gives each one a piece of bread. Then he says something that makes “the one with red hair” stand up and go away hastily. This is, of course, Judas.
On page 32, we can read about the meeting between the German painter Friedrich von Rieger and Therese. In 1934, von Rieger went to Eichstàtt to make the portrait of His Excellency Conrad von Preysing and the Abbess Benedikta von Spiegel. On that occasion, while the abbess was sitting for the portrait, he had the chance to talk to Therese and among other things he asked what the physical appearance of Jesus was. She replied "About the same as you, not taller. His beard and hair are copper, his beard is not thick and his chin is like yours. His voice is baritone."
On the contrary, Anne Catherine Emmerich claimed Jesus had “golden hair”.
It would be interesting to see if other mystics have also described Jesus or other Biblical people as having red hair.
His red hair hung in amber knots. As he was dragged out he didn't resist, and accepted his fate. The sky reddened slightly with the soft fall of night, and the dust of the desert kicked up around his bare feet and chained ankles.
Meanwhile, all the talk in the bazaars had been of rumours that the pharaoh had once again refused to give up his flame-haired concubine. His fixation with the woman had been known for some time. Babushka'd old peasant women would complain that she'd used sorcery to bewitch the boyish ruler. Whilst gossipy traders and their jewelled wives would curse the illegitimate harlot. Calling her "dog" and "mongrel."
The temple priests had repeatedly begged the besotted pharoah to give up his favoured love. That the kingdom was in danger. That ill omens loomed large, and that blood and rebellion simmered in the avenues and fields beneath the palace walls. Even more so, that his deviancy was against the holy laws. An abomination, strictly forbidden by the gods. What sort of message did it send out to the people, if even the pharaoh himself engaged in such sin? "The whole land has fallen into debauchery and licentiousness," they pleaded. Prostitutes in every port, and feral children on every street. Men taking their slaves to wife, or marrying foreign women. Their daughters whored out for trade and riches. Deformity and disease, rife across the kingdom. All ritual abandoned, and every division broken down.
Yet still, the pharaoh refused. Threatening war if anyone dared to remove the ruddy temptress from the opulence that surrounded him.
As the man with amber knots of hair was led to the temple, the streetlamps burned red through the dust. The heat from the distant pyre already warming the cool night air. As he headed through the crowds he inwardly lamented his innocence. But, outwardly, his tea-coloured freckles and leprous skin betrayed him. The baying worshippers seeing in his ugly, freakish appearance only the mark of sin and defilement. A blemish on a troubled and forsaken nation -- that could only be cleansed by fire, before the old and violent gods of Egypt.
With this article you have two options. You can either read it, or watch the video. The video is AI narrated and the footage for the most part is also AI, so it's a tad stilted. The voice in particular is unintentionally funny at times. Plus, my editing skills aren't great.
Still, it's at least an option for people that aren't too keen on reading longer articles.
Red Hair: Out of the Witches' Cauldron - VIDEO
What follows below is basically a transcript of the video (with a few minor changes). I would've just left it as a stand alone video, but it inspired a follow-up article. So now this text and that article will be bound together as a little PDF booklet. Coming soon..
Out of the Witches' Cauldron
Red hair is a minority trait today, even in countries such as Scotland and Ireland, where there's a higher incidence of it. However, when people speculate about where it comes from we often think in terms of a specific region, tribe or people. Was there a tribe of people at some point in history that was completely red-haired? Did it spring up independently in one particular place? Either randomly, or as a consequence of some specific circumstance or environment? Or has it sprung up in multiple places, or for multiple reasons?
These are all interesting questions which no one really has a definitive answer to. In this particular piece we're going to explore the idea that redheads are a product of melting pot cultures.
Persecution
Throughout history red hair has often been disliked and distrusted. For instance, take this often repeated observation from Aristotle:
"Those with tawny coloured hair are brave; witness the lions. [But those with] reddish [hair] are of bad character; witness the foxes."
Likewise, the following mediaeval proverb:
"Si ruber est fidelis, diabolus est in coelis" (If the redhead is faithful, the devil is in heaven).
Or this similar variation, found in German:
"Rote Haare, Sommersprossen- sind des Teufels Artgenossen" (Red hair and freckles - are the devil's own kind).
Or, the old Russian proverb:
Рыжих и во святых нет - There are no red-haired saints.
The hair colour has also often been associated with the figure of Judas in European folklore, with terms like "poil de Judas," (hair of Judas), and "Judas beard" denoting the colour. Likewise, the fallen figure of Mary Magdalene was often depicted in art with the hair colour. The colour has even been associated with vampires, witches and lepers. One work published in 1662 stated that Indian Muslims "..have an aversion for such as are red hair'd, out of an opinion they have, that they are Leprous." And the writer Montague Summers stated that there were traditions in Eastern Europe, of "red-haired" vampires, labelled the "children of Judas", that killed their victims with a single bite or kiss.
In the seventeen hundreds there was even a treatise published that advised against the use of a red-haired wet nurse. Stating that a wet nurse "must not be red-hair'd, nor marked with Spots." Going on to add that the milk from a red-haired nurse often "hath a sour, stinking and bad Scent." It brings to mind the familiar idea that red hair, spots, freckles and moles were viewed as evidence of witchcraft. And likewise reminds us of Shakespeare's description of the deformed slave Caliban, in his play The Tempest:
"A freckled whelp, hag-born - not honoured with a human shape"
There are even claims that red-haired people were once sacrificed for possessing the hair colouring. Most notably the claim in Sir James Frazer's "The Golden Bough," that red-haired men were ritually burnt in honour of Osiris, in ancient Egypt. Their ashes "scattered with winnowing fans."
Melting Pot
Thankfully, the modern world isn't that bad. If it ever was that bad. Still though, redheads today will often ponder escaping the taunts and sense of alienation that accompanies the trait. The dream being that perhaps somewhere there's a redhead homeland, where everyone looks freckly and ginger. If not in the modern world, at least somewhere in the ancient past. Some distant, romantic land - or forgotten kingdom. As when you feel like an outsider it's only natural to wonder where that outside place was, that you've somehow come inside from.
However ..what if the red hair is coming from inside the building?
If we look at the distribution of red hair we could make the case that red hair occurs where we have cultural melting pots. A classic case in point being Ireland and Scotland.
Though seemingly isolated on the north-western edge of Europe, Scotland and Ireland are perfectly situated for sea travel. A stepping stone between the northern Nordic regions and the Mediterranean. And, this is in fact what we find when we look at Irish history. With tales of settlers arriving up from Iberia and Vikings coming down from the north.
We could also make the case that the Russian patch we see on red hair maps is similarly situated. A natural melting pot, this time linking the Middle East with the Nordic regions, via Black Sea trade routes.
Another place we see red hair crop up with surprising frequency is biblical history, with figures such as Esau and King David said to have been "Ruddy" or red-haired. Similar to "Judas Beard" we also have the descriptive term "Abram hair." A label said to denote the colour "auburn." Implying that the colour was associated with the biblical Abraham. In fact, it could be said that in ancient times, before the advent of major oceanic sailing, Egypt and the wider Middle East would've been a natural melting pot. A meeting place for tribes, kingdoms and traders.
It's also worth noting that in more recent times it's often been observed that red hair appears more commonly amongst Jewish populations. For example, one 19th century article noted that there were "..thrice as many red-haired [Jewish people] as either Poles, Russians or Austrians, and half as many again as Germans." Likewise, it's also been said that in Russia, red hair was viewed as a Jewish trait.
Another place we seem to see an overrepresentation of redheads is in royalty. Along with King David, other famous redheaded royals include: Elizabeth I, Richard the Lionheart, Henry II, the Holy Roman Emperors Frederick I and II, Ismail the First, Shah of Persia, and even Egyptian rulers like Kleopatra and Ramesses II. On a side note, and returning us to earlier themes, Baldwin the Fourth, the twelfth century King of Jerusalem, was actually described as a "blue-eyed, freckled, leprous evil-doer."
As royals often make marriage alliances with other royals from foreign kingdoms, royal households will naturally likewise be melting pots that cross oceans and tribal boundaries.
A further thing perhaps worth mentioning is Aristotle's quote stating that, "Fishermen, divers for murex, and generally those whose work is on the sea, have red hair." Perhaps this observation taps into a notion that port cities, with their comings and goings, engender a greater degree of tribal mixing, and consequently, a higher incidence of freckles and red hair. The countless pirates nicknamed "Redbeard," or "Barbarossa," also spring to mind.
Pigments
This association of red hair with the sea has a logic to it. If we consider the human colour spectrum, there's a natural gradient from light to dark. A feature of the relative levels of sunlight. In the far north of Europe we have low sunlight, giving rise to blonde hair and fair skin. At the equator, with the sun at its extremity, we get dark hair and skin. Between the two there is a gentle transition, encompassing all the shades in between.
There are two pigments that are responsible for the colour of skin and hair in humans. One is eumelanin. This is responsible for black or brown colouring. The other is pheomelanin, which imparts a range of yellowish to reddish colours. Pheomelanins are particularly concentrated in the lips and genital areas. Hence the red or pinkish colouring.
Humans across the spectrum possess both pigments, and generally in a similar ratio. People with dark skin having high amounts of both. People with light skin, small amounts of both. In each case the eumelanin higher relative to the pheomelanin. However, people with red hair have relatively higher levels of pheomelanin in relation to eumelanin. It could be that "gingerness" is therefore a consequence of diverse gene pools, that have the capacity to produce this otherwise uncommon imbalance.
If we imagine people living in areas of low sunlight, who have low levels of both pigments. If they mate, any potential offspring will naturally inherit only low levels of both. Even if a person marries someone from a nearby tribe, that tribe, being situated in a similar geography, will likewise have similar pigment levels. The same is true for people living in areas of higher sunlight that marry people from a similar background. The potential variation will be mild. However, once you get sea travel, and the opportunity for humans to meet other humans from much further afield, the possible range of pigment levels any child may inherit increases.
So, for example, someone could potentially inherit the higher levels of pheomelanin from their darker-skinned ancestors, but the relatively lower levels of eumelanin from any light-skinned ancestors on their family tree. Giving rise to red hair or freckles. With some genes being recessive it may take multiple generations for these effects to become apparent.
If we look at how "gingerness" manifests we can see this mixed nature. The brown freckles, a consequence of the pheomelanin, on the fairer skin. The ruddy tinge. The hazel eyes that often accompany it - a seeming meld of brown and blue. And, of course, the hair itself: fair, yet full of colour.
There's also the common misconception that redheads are "paler" than everyone else - even blondes. However, this is no doubt simply an optical illusion. The contrast of the freckles and rusty hair, against the low eumelanin skin, giving the appearance that the fair skin is especially pale. This also explains why not all redheads have the same skin and hair tone. You even sometimes may see dark-skinned people with freckles, whose hair has a slight reddish tinge to it. This is due to the "relative" levels of pheomelanin. So, a person who isn't very light-skinned can still look "ginger" if they've inherited higher levels of pheomelanin than would normally be present for someone of their skin tone.
Interestingly, we can see a good illustration of this when dark-haired people try to bleach their hair. Rather than turning bottle-blonde or white, they're often left with hair of an amber or orange colouring. This is because the bleach destroys the eumelanin more readily, leaving the pheomelanin visible and apparent. Showing that darker-haired people do indeed have the pheomelanin that would otherwise produce red hair, were it not masked by the higher eumelanin.
Though this "melting pot" theory dispels the idea that redheads are "paler," it also strengthens some of the other stereotypes associated with red hair. For instance, the idea that redheads are more highly sexual. The redder parts of the human body, such as the lips, nipples and genitals, are also areas with more nerve endings. So it makes sense that higher relative pheomelanin - the red pigment - would be associated with a greater sensitivity to touch. Likewise, this would help to explain why redheads are purportedly more sensitive to pain and changes in temperature. Hence reports of redheads needing more anaesthetic at the dentist. This heightened sensitivity may also help to explain the association with witches and prostitutes. The presence of prostitution in port cities linking us back to sea travel.
Conclusion
So, in conclusion, looking at things through this lens, we can see redheads not as outsiders as such, but as a product of human mixing - and of civilisation, or city living itself. A trait that rises and bubbles up at cultural crossroads.
And the negative stereotypes also have their positive counterparts. Just as Judas has a red beard, we also often see Jesus depicted in art with red hair. His chestnut locks having a Mediterranean tinge. So too, the positive counterpart of the fallen Magdalene, the immaculate Mary. She, likewise, has been portrayed with reddish hair. For example, take the following description, given by the 16th century Jesuit hagiographer, Pedro de Ribadeneira:
"The Virgin was of a middle stature, though some say she was rather tall, her complexion was somewhat swart, her Hair Reddish and Golden, her Eyes Lively and Quick, the Hairs of the Eye-lids somewhat Red, the Eyebrows arched, Black, and comely: The Nose somewhat long, Vermillion Lips, most sweet in speaking[.]"
One thing to note about this description is its compound nature. The Virgin Mary is swarthy, with beautiful black eyebrows. Yet her hair is also red and golden. Almost embodying the whole spectrum of humanity. A symbolic composite of all mothers. Just as Jesus is a symbolic stand-in for all mankind. The symbolic alchemical man. Bringing to mind Cyrano de Bergerac's poetic claim, that redheads possess virtue, due to their "balanced constitution." And that red hair, like fire, contains "the most essence and the least substance." The Freckled Mashiach, or the treacherous Judas. Red hair, a product of our human melting pot. Symbolic of both its good and bad potential.
"Plutarch, quoting Manetho, asserts that Tiphonean or red-haired men were sacrificed in the temples of Eletheias, and their ashes scattered to the winds. Was this done in commemoration of the hatred which the Egyptians bore to the red-haired Hykshos?"
"Macrobius tells us that Osiris was the Sun; and as the Egyptians considered that luminary as the demiurgus, or creator, he was held in the first consideration; and, according to Manetho, all red-haired men were immolated at his tomb."
"Their Hatred to Typho carry'd them so far, that "they had certain Solemnitys," as we are told by Plutarch, "wherein, to abase and affront him, they mishandled and abus'd such Men as they found to have red Hair." Nay, Diodorus tells us that "they antiently sacrific'd such Persons as had red Hair like Typho, at the Sepulchre of Osiris." And Manetho relates, that they were us'd in antient Times to burn live Men in the City of Adythia, entitling them to Typho; and then they made a Wind, and dispers'd and scatter'd their Ashes into the Air." And we may with Probability conjecture, that they might in like Manner contumeliously scatter in the Air the Ashes of the red Oxen they sacrific'd."