Saturday, March 8, 2025

New Spanish proverb about red hair (and dogs and stones)

On this blog we have several posts about proverbs concerning red hair:

Russian proverbs about redheads and a decree from Peter the Great  

More ancient proverbs about red hair 

European proverbs about red hair  

A Spanish Proverb About Red Hair

Italian Sayings and Proverbs about Red Hair 


Recently, I came across one more Spanish proverb:

Guárdate de hombre pelirrojo, de perro que no ladra y de piedra redonda
that is, beware of a red-haired man, of a dog that does not bark and of a round stone.


Sometimes, proverbs are not very easy to understand, but this one seems quite clear to me.
A round stone, especially when very smooth, is generally a slippery stone (like those we find in rivers).


 
As for the dog, in Italy we have the proverb can che abbaia non morde, that is, a barking dog does not bite (which is the equivalent of the English "its bark is worse than its bite"), and I found out in Spain they have the same: perro que ladra no muerde or perro ladrador, poco mordedor.

Now, if a barking dog does not bite, the opposite is also true: a dog that does not bark may bite.
So, basically, this proverb (just like the others we have seen) is saying that a red-haired man is someone dangerous, untrustworthy, treacherous, someone who looks harmless (like a quiet dog or a round stone) but eventually is not.



Thursday, March 6, 2025

'Gingers Converting to Islam'

There was a recent video from Ed Dutton, aka The Jolly Heretic, on the topic of how common it is for white Muslim converts to be ginger.


It's an interesting topic, and obviously worthy of note to us, what with this being a blog about red hair and all that.

At present I don't have too much to say about why it seems so many converts have red hair. Apart from the obvious fact that if you stand out and don't quite fit it, it's natural that you'll be more willing to go somewhere else where you may feel more welcome.

In the video Dutton does give an overview of one theory about the evolution of red hair though, and that's something that I can't help but comment upon; as (though it's interesting) I don't quite buy it.

This idea that red hair came about because of a random mutation at some point, and then was positively selected for. As I've mentioned before on here, though I'm sure red hair can (and no doubt has at times) arisen due to genetic mutation, I think the general red hair we see in the world is more a product of the interplay between eumelanin and pheomelanin in mixed populations.

(The most recent elucidation of this was here: Out of the Witches' Cauldron - you can start reading from the Melting Pot heading to get a quick overview.)

The argument made in the video is that red hair was a novel adaptation on the part of females to attract short-in-supply males - a peacock's tail type thing. In fact, Dutton repeats the common idea that redheads are very pale. Paler than blondes. (I've argued that this is an optical illusion caused by the relatively high pheomelanin (red pigment), which amplifies the appearance of the low eumelanin.)

He then goes on to state that red hair is associated with negative, unhealthy traits - such as higher likelihood of skin cancer. Likewise due to the fact that redheads are a product of mutation. (Again, I would suspect these things are more a consequence of the pheomelanin/eumelanin imbalance. Kind of similar to the hybrid vigour produced by race mixing. Where you get positive and negative traits. Such as how multiracial people may be more prone to depression, etc.)

So he makes the case that redheads are 'sickly,' but also more desirable and selected for, which is obviously a little bit of a contradiction. He then mentions studies showing that in nightclubs red-haired women are more likely to get hit on. Stating that it's their unusualness that makes them attractive. I would say it's the relatively high pheomelanin (red pigment) that's the reason for this though. This is why women wear red lipstick when they go to nightclubs. Pheomelanin is what's responsible for the red in the lips, nipples and genitals (along with the hair) - so it's associated with sex - meaning redheads, with this relatively higher red pigment, have a natural red lipstick effect.

In fairness, he also mentions that the red-haired women are attractive because the pale skin signals high oestrogen - equalling high fertility. However, again, I would argue that redheads are only superficially paler because of the contrast with the high red pigment, and that high oestrogen is just associated with whiteness/paleness/blondeness in general. This is why we have the natural dichotomy in human society of the desirable blonde female and the tall, dark handsome man.

Anyway, either way, it's all quite interesting, and it may be worth coming back to the topic of the red-haired Muslim converts at some point in the future. After all, as we've mentioned before on here, there are some traditions that state that Muhammad was red-haired or red-bearded.

A Portuguese village named after ancient redheads!

A-dos-Ruivos is a village located in the parish of Carvalhal, municipality of Bombarral, district of Leiria and situated in the so-called Oeste Region of Portugal. Its population is 196 inhabitants (2001 census).

The origin of its name could be traced back to Norse Christians, Franks or Bretons, who settled in the area during the time of the Reconquista. Red-haired or freckled, the Moors called them rubios, ruivos or even francos.

The initial article "A" followed by "dos" means "the land of", for example, "I'm going to the land of the redheads" or simply "I'm going to the redheads".

According to anthropologist and doctor Eusebio Tamagnini, in a study carried out on hair pigmentation, published in 1936 by the University of Coimbra, the average number of redheads in Portugal is 0.17%.

Old windmill, recently restored, in A-dos-Ruivos

 A-dos-Ruivos

 Os cenouras de A-dos-Ruivos

Tuesday, February 4, 2025

The ancient Rutuli: a red-haired Italian people?

The Rutuli or Rutulians were an ancient people in Italy.
They lived in a territory whose capital was the ancient town of Ardea, located about 35 km southeast of Rome.

Ancient Latium. Enlarge to see the location of Ardea


According to modern scholars, they were most probably connected with the Etruscan peoples (some speculate with the Ligurian peoples). The connection with the Etruscans would explain the similarity between the names of the Rutuli's king Turnus and the name of the Tyrrhenian Sea (Turrenòs in Latin).
In Virgil's Aeneid, and also according to Livy, the Rutuli are led by Turnus, a young prince to whom Latinus, king of the Latins, had promised the hand of his daughter Lavinia in marriage. When the Trojans arrived in Italy, Latinus decided to give his daughter to Aeneas instead, because of instructions he had received from the gods to marry his daughter to a foreigner. Turnus was outraged and led his people as well as several other Italian tribes against the Trojans in war. Virgil's text ends when Aeneas defeats Turnus in single combat and therefore confirms his right to marry Lavinia. In some other accounts of the story of Aeneas, Latinus is later killed in a subsequent battle with the Rutuli.
During the 6th century BC, in Rome's early semi-legendary history, Rome's seventh and final king Lucius Tarquinius Superbus went to war with the Rutuli. According to Livy, the Rutuli were, at that time, a very wealthy and powerful people. Tarquinius was desirous of obtaining the booty that would come with victory over the Rutuli. It is unclear as to the eventual outcomes of the siege and the war.
Eventually, the Rutuli were absorbed by the Latins. 


The ethnonym Rutuli comes from the adjective rutilus, which (as we have discussed here) means red, reddish, and is probably of Etruscan origin (and this would confirm a connection between the Rutuli and the Etruscans). Unfortunately, we don’t know if, it this case, the colour refers to Rutuli’s hair or to something else (a garment they used to wear, for example, or their bravery in battle). In modern Italian, rutilismo means “red-hairness”. 


In the X book of the Aeneid, Virgil mentions the Rutul Camers, one of the strongest enemy of the Trojans.
I quote the lines, and as you will see, Virgil refers to Camers as fulvus:


Protinus Antaeum et Lucam, prima agmina Turni,
persequitur fortemque Numam fulvumque Camertem,
magnanimo Volcente satum, ditissimus agri
qui fuit Ausonidum et tacitis regnavit Amyclis. Book X, lines 561-564


Here’s the translation into English (John Dryden’s translation):

On Lycas and Antaeus next he ran,
Two chiefs of Turnus, and who led his van.
They fled for fear; with these, he chas'd along
Camers the yellow-lock'd, and Numa strong;

 

As you can see, fulvus has been translated as yellow-lock’d.
The Italian and French translations too give respectively biondo and blond.
The Spanish translation is the strangest, because it says Camers has a faz bermeja (red face). The German translation uses the adjective roten (red). Keep in mind I didn't check all the Aeneid's translations in the above languages. 


Now, let’s have a look at the adjective fulvus.
Here’s my old Latin-Italian dictionary. Fulvus is translated as rossastro, rossiccio (reddish), fulvo (fulvous, tawny), giallo (yellow).

In modern Italian, fulvo is used almost exclusively with the meaning of red-haired (both for humans and animals).
I also checked a couple of online Latin-English dictionaies:
WordSense: reddish-yellow, tawny, amber-coloured, fulvous.
Latin Dictionary: tawny, reddish yellow; yellow.

In the image below, you can see the colours of the ancient Romans. Fulvus is indeed a sort of reddish-brown, brown-yellow. There's definitely something yellow in it, but it's not its main characteristic.


However, if you search on the internet, you’ll find different shades, like this one.

In any case, these are not colours that we would call yellow. With a modern terminology, we would call them brownish yellow, burnt orange, sienna, tobacco.
Obviously, we have to keep in mind that ancient people named colours differently from us, so that some even argued that, for example, ancient Greeks were blind to all shades of blue. So, maybe, where today we see shades of orange and brown, the ancient saw shades of yellow.
However, Romans used a different adjective to mean blond. In this article, you can read the hair and eyes colours of the early Roman emperors. Blond-haired is either subflavum or flaventium and as you can check in the image above, flavus is a warm yellow-mustard colour. Unfortunately, the description of the only red-haired emperor mentioned in the article (Vitellius) comes from a Greek source, so we don’t know which term the Romans would have used. Anyway, if these writers used flavus, this means it was not the same as fulvus, so maybe fulvus means light red, for example?

In the Aeneid, Virgil also uses fulvus to refer to a lion’s mane and to a stone. In the Book IV, line 262, he talks of a iaspide fulva adorning Aeneas’ sword.
Now, John Dryden’s translation just translates the words as “glittering gems”, maybe because fulvus comes from the verb fulgeo: to flash, to lighten, to glitter, to gleam, to glare, to glisten, to shine.
However, the iaspis is not any jem: it’s the jasper. The jasper can be virtually of any colour, although in the past the green one was the most used. 

Green jasper scarab

Today, the most popular is the red jasper, but in can also be yellow, black and white, gray, striped, etc.

Red jasper


I checked some other translations: two in Italian have biondo diasrpo, one German Gelb (yellow), while one Spanish have rojo (red) and the other amarillo (yellow).
So, all considered, it seems to me that most translators have decided that fulvus is yellow no matter what, in spite of the Romans having at least four more names for yellow. Apparently, they don’t understand that when we modern people think of yellow, we imagine, for example, a lemon, a daisy, sweetcorn… We don’t see what the Romans saw when they thought of fulvus, that’s why, in my opinion, the translation of fulvus with yellow is misleading. As far as hair colour is concerned, if translators don’t want to use "red" because they think red hair is so rare that no-one has it, I think "brown" or "light brown" would be a more appropriate choice. 

On a final note, I think it's worth mentioning that today a population exists called… Rutul people (also Rutuls or Rutulians). They live in Russia, Dagestan and Azerbaijan. Actually, they call themselves Mykhabyr. The origin of the name Rutul is uncertain. I translate from Wikipedia in Russian:

 

The ethnonym Rutuls is associated with the name of the village of Rutul, the most populous Rutul village. The origin of this term remains unclear to this day. Such a term is absent from the toponymy and lexicon of the Rutuls and neighbouring peoples, and, according to historian Musaev G. M., is imported. Well-known sources mentioning the word Rutul are Virgil's epic work Aeneid and Namatsian's poem On his return from Rome to Gaul. In Rutul language, the village of Rutul is called Mykhaa, and its inhabitants call themselves Mykhaadabyr. The term Rutul, as one of the names of the village of Mykhaa, has been known since the 15th century. According to one version, the name was given by the Arabs during the conquest of Dagestan. It is found in epigraphic monuments, in official documents as well as in Persian and Turkish charters.

 

The village of Rutul, Russian Federation





Thursday, January 2, 2025

Paintings of Vlad III with Reddish/Blond Hair

You all know, even if only by name, Vlad III (1428 – 1476), also known as Vlad Tepes, Vlad the Impaler or Vlad Dracula.
In 1431, in Nuremberg, his father Vlad II was made by Sigismund of Luxembourg a first-class member of the chivalric Order of the Dragon. The dragon-shaped badge of the order gave rise to his Romanian sobriquet, Dracul ("the Dragon"), and his sons became known as Dracula ("sons of Dracul"), since the word "Dracula" is the Slavonic genitive form of "Dracul".
Thus, Vlad II became the first member of the House of the Drăculești, which ended in the 1650s with Mihnea III Radu (Vlad II's native House was the Basarab).
In modern Romanian, drac means devil, demon, so today dracul means the devil, the demon (-ul is the article).

Order of the Dragon. Reconstruction in Trakai Island Castle museum, Lithuania.

Reconstruction of the emblem based on the sketches in Austrian Museum custody; the original badge is missing.

 


Many people believe that Vlad III was the inspiration for the character of Count Dracula from Bram Stoker's novel, but this is not true, because Stoker knew very little about him. From Stoker's working notes we know that he had initially decided to call his protagonist "Count Wampyr".
Stoker found the name Dracula in the book An Account of the Principalities of Walacchia and Moldavia, written in 1820 by William Witkinson, British consul in Bucarest. Witkinson mentions the name Dracula only three times, referred both to Vlad III and (wrongly) to his father. Regarding Vlad III, the author only reports that he crossed the Danube, attacked and defeated the Turks, but was then pushed back into Wallachia and forced to take refuge in Hungary. His brother then became voivode in his place. And that's all. He doesn't even mentions his habit of impaling his enemies.
However, on page 19 of the book, Stoker finds the following footnote: "Dracula in Wallachian means devil. The inhabitants of Wallachia, yesterday as today, are accustomed to give this nickname to anyone who distinguishes himself by courage, cruelty, or cunning." It is this footnote that makes Stoker decide to change the name of his main character from Count Wampyr to Count Dracula. In fact, in his working notes we find the following statement: “DRACULA in Walacchian language means DEVIL” (Stoker's capital letter).
In modern-day Romania, Vlad III is considered a national hero and one of the greatest Romanian rulers, who fought for the independence of the Romanian lands, and Romanians don't like very much his association with Count Dracula.



Statue of Vlad III in Giurgiu, southern Romania

Recently, I came across some portrait paintings of him, where his hair is fair/reddish, while in other portraits it is very dark. Some of these paintings were made during his lifetime, but the authors never met him personally, and unfortunately the only portrait made by an artist who met him face-to-face has got lost.
This portrait had been commissioned by Niccolò Modrussa, a legate on behalf of Pope Pius II who met Vlad in Buda. He also left a written description of him, clearly intended to give a negative impression of the ruler.

"We saw him imprisoned, and [he was not], indeed, very tall, but sound and strong of limb, with a fierce and dreadful appearance, a large, aquiline nose, inflated nostrils, and a thin and somewhat red face, on which quite prominent eyelashes surrounded wide-open bluish-gray [glaucos] eyes, and which black, thick-haired eyebrows made to appear threatening. In addition his cheeks and entire chin were shaven, and the only part [of his face not shaven were] the upper lips. Swollen temples increased the bulk of his head. A bull-like neck connected the lofty head with his broad shoulders, onto which his black, curly hair reached."

In 1560, a copy was made of the aforementioned portrait, which is now kept in the Ambras Castle in Innsbruk (Austria). 

The famous Ambras Castle portrait

The author, however, took some liberties: for example, he altered Vlad's eyes' colour, painting them brown and not bluish-gray. Some claim that the bigger lower lip too is an alteration, made with the purpose of making him look more cruel (Modrussa’s account doesn’t mention a swollen lower lip). 

In German-speaking countries many pamphlets had been circulating since 1460s, telling stories about Vlad’s cruelties, so it wouldn’t be unlikely that the author of the Ambras Castle portrait would alterate Vlad III’s face to make him look evil and wicked. These pamphlets always had a woodcut on the title page and thanks to the invention of movable type printing, they began circulating in the whole of Europe and with them Vlad’s likeness as well. So, the painters we are going to see below probably draw inspiration from these woodcuts. As you can see, Vlad III is always depicted with his carachteristic pearl cap.


 Magi Chapel of Palazzo Medici-Riccardi, Florence, 1459–1461 (Benozzo Gozzoli)

Detail of Vlad III



The Martyrdom of Saint Andrew, 1470–1480, Belvedere Galleries, Vienna (author unknown)

Vlad III is depicted as the Roman proconsul Aegeas, who ordered the cucifixion of Saint Andrew  


Vlad III as Dragonfighter (probably St. George). 15th century altar in Mălâncrav, Transylvania

As a final note, it's worth mentionig that Vald III' grandfather, Mircea the Elder (Vlad II's father) might have had red hair.